Why shouldn’t we scrap Lang Arts?
1. Just because the scholars say that it is a hard subject to grasp doesn’t mean it is irrelevant as a subject.
1.1 An obvious point to make about the numerical figures involved. I would safely claim that the VIP has scholars constituting approximately 1/6 of the enrolment given 20 PRC scholars for 120 per cohort. From my knowledge, we have had a diversifying background of scholars; a safe estimate would have its upper limit at 30-40 (one-quarter to one-third). That is obviously not a numerical majority; to make a decision based on scholars’ opinions would be a biased one.
1.2 But who haven’t complained about subjects being difficult to deal with? For local students like us also do complain about the difficulty of Lang Arts. It is inevitable that we encounter difficulties in our lives, and yet did we not survive through those at the least, and picked up lessons from it? I was one of those struggling with Lang Arts, and yet I did not give up on the subject even after I entered JC life. In fact, I’ll feel that it was quite unorthodox for a student consistently C-level in Lang Arts to pursue KI, and I can testify that I have been coping well in the subject.
1.3 Dealing with difficulties in life is part and parcel of humanity; this should also be the same attitude in education. For what is education if we do not learn anything new? And in learning anything new, do we not meet with confusion, with terminologies, with questions? Do we not resolve these through revision, through research and through practice? These are definitely food for thought that does not limit its scope to students pursuing Lang Arts.
2. Another way we can view difficulty of a subject is from the grades attained by its students.
2.1 I will not deny the fact that teachers’ motivations and capabilities have an influence on students’ grades. However, what is more essential in determining whether a student obtains a desired grade is his own innate learning abilities, for there are motivated students who excel even under a teacher not well-appraised, and likewise there are students who do not perform well even under the best guidance available. This ties in with the points I made in 1.3 when I questioned the motivation of learners in approaching difficult subjects.
2.2 A more mathematical way to view this is through visualising bell curves. Let us take the students’ grades to follow a bell curve as a result of differing motivations and capabilities. The teachers’ own motivations and capabilities would affect the mean scores. For simplicity, the skewness and the kurtosis (peakedness) of the curves will be disregarded. This model also necessarily assumes that grades are given based on a teacher’s observations of students’ attitudes and standard of work, which is a justified assumption as the actual mark schemes include these two criteria. Using this crude model, a “good” teacher would have students obtaining a higher mean grade than those under a “average” teacher. Hence, an illusion of better grades can be achieved by “grade inflation”, i.e. a horizontal shift of the curve such that the mean is higher than it was.
2.3 This may give confidence to students, local and scholars alike, more confidence in pursuing Lang Arts, but is education all about providing confidence through good grades? I believe that even in a competitive society such as Singapore’s, good grades do not count for all, for it is the thinking skills that are highly valued in a knowledge-based economy. To align education with this aim, the curriculum must be aligned with the A-Levels in view - this is where the meaning of “Integrated” in IP was derived from.
3. Thus, Language Arts should be retained and made an integral part of the IP curriculum.
3.1 I make this claim in the view that Lang Arts is the ladder to the H1 GP anf H2 KI curricula at the A level. Topics such as globalisation, media and censorship, and political philosophy are covered in GP; it is the same for philosophy of science in KI. Toulmin’s model for arguments is an effective skill, albeit not effectively grounded, that was taught in lessons.
3.2 While I may argue for the content to be kept in its entirety, I would like to argue more strongly for an increased focus in thinking skills, which include precis writing, application questions and critical thinking. The first two are part of the GP paper, and the third is part of the KI paper. Building a good foundation for thinking frameworks in terms of skills will naturally lead to better essays that more effectively show the grasp of content by students. This raises a need for compromise between content and skills in the syllabus outline, for it is too hefty a task to teach everything. I would encourage shelving of content that may potentially overlap with those in GP or KI, and are more effectively grasped at higher levels.
4. A short word regarding the opinion that there are a shortage of teachers to teach the subject.
4.1 By asserting that Lang Arts is integral and essential to the IP curriculum, more effort should be put in to make the subject more relevant and more understandable, so as to dispel opinions (of Lang Arts being a difficult subject) made without rational thoughts and considerations. One possibe way would be to reallocate the budget to the hiring and training of teachers.
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These are my points (tentatively). This is an incomplete argument (as for sections 3 and 4) due to time constraints. =D